Sunday, December 7, 2025

Clues of a Creator

 


Attribution: This programme outline was generated by a specific prompt to Chat GPT by Petra Pierre-Robertson.  She developed and refined the content provided based on the aims, objectives, audience, and purpose she identified for the programme.

You can further refine and develop this programme based on your unique contexts


Aim:  This programme was done provide clues/evidence that God, the creator, is alive and real

Objective:  It is hoped that at the end of this programme a desire will be engendered in the attendees to connect with God

Main Text: Psalms 19:1 The heavens declare the glory of God; the skies proclaim his handiwork.

Important Note: Given the complexity of this topic ensure a Pastor is present to keep the discourse biblically sound


AY Leader Introduction: “Clues from Creation”

Materials:

  • Slides or printed photos of nature (galaxies, DNA, oceans, animals)
  • Table object: a simple watch, or a piece of art

AY Leader  (7 minutes):
“Look at this watch (or artwork). We all know someone made it — it’s too detailed, too intentional to appear by chance.  Now look at galaxies, flowers, your fingerprints, and DNA — all far more complex than anything humans create.

Psalm 19:1 says, ‘The heavens declare the glory of God…’

You can research the following to build on Psalms 19:1

·       The Belt of Orion as mentioned in Job 38:31

·       The components of space (stars, planets, asteroids, meteoroids, meteors, meteorites etc)

·       What governs the tide

·       The ant

 Nature itself is a clue.  Creation points to a Creator.


Rotating Activity Station: Break attendees into  groups. Rotate every 5 to 7 minutes.

Station 1 The Design Table – Does complexity happen by accident?

Station 2  The Inner Voice – Why do we feel guided or convicted? 

Station 3 Humanity’s Search – Why do all cultures seek the divine?

Group Challenge:  Find the clues –Based on the scriptural references


Station 1 — The Design Table

Materials:

  • Leaf samples, magnifying glasses
  • Pictures of microscopic structures
  • A puzzle or Rubik’s cube

Facilitator Prompt:
“Does complexity and order happen accidentally or intentionally? What does this suggest about the world we live in?”


Station 2 — The Inner Voice

Materials:

  • Headphones or speaker
  • 2–3 short testimonies (audio or read aloud) of youth experiencing God
  • Small paper & pens

Facilitator Prompt:
“Have you ever felt guided, protected, or convicted? Why do we feel a pull toward morality, purpose, and meaning?”

Internal experience = another clue.


Station 3 — Humanity’s Search

Materials:

  • Images or slides of ancient cultures and their ideas of God
  • World map
  • Sticky notes

Facilitator Prompt:
“Why do cultures everywhere — even those who never met — search for something greater? What does this universal longing say?”


 Group Challenge Game: “Find the Clues”

Materials:

  • Clue envelopes hidden around the room
  • Each envelope contains a scripture or question
    • Romans 1:20
    • Acts 17:24–28
    • Psalm 139
    • “What evidence of God have you seen in your own life?”
    • “What would the world be like without God?”

How it works:
Groups have 5 minutes to find as many envelopes as they can.
Then take 5 minutes to discuss the clues they found.

AY Leader:  “You’ve collected clues — now build your case. What picture do these clues paint about the existence of God?”


Groups Present Their Case

Each group shares for 2–3 minutes:

  • What clues they found
  • How those clues point to God

You can award simple prizes for creativity, teamwork, or insight.


Reflection Moment: “Where I See God”

Silent Creative Activity

Materials:

  • Index cards or half-sheets
  • Pens or markers

Instructions:
“Write or draw one place in your life where you’ve seen a ‘clue’ that God is real.”
Play soft instrumental music.

AY Leader:  “You don’t have to see God physically to know He exists.
You see His fingerprints all around you — in creation, in history, in other people, and in your own story.”


Prayer & Closing

Ask volunteers to share:

  • One thing they learned
  • One place they see God

 

Resources

The Bible

Other valid resources (See the chapter on evaluating material in ‘AY Programming in the 21st Century’ by Petra Pierre-Robertson)

Thursday, April 23, 2020

Help me complete the story "Friend Zone"!




Petra Pierre - Robertson

Today is World Book and Copyright day.  I am sharing one of my short stories in progress.   Here is your opportunity to contribute to the creative process.   Post your feedback/ideas/suggestion at the end of this blog.  I will then complete the story based on your feedback...

November 11, 2020
Thanks to those who suggested possible endings.  You ommitted however to provide reasons why Princess may have locked Rolf in the Friend Zone.  Please use this link to enter possible reasons on the padlet: https://padlet.com/probersn/fb87w82sroqytstx









Tuesday, March 31, 2020

The Sixth Day: The symbolism of the animal characters




In "The Sixth Day" by Petra Pierre - Robertson, the main protagonist,  Rahel, is plagued by phobias. An ancient legend causes her to be very fearful. In the face of danger, she zones out of reality. In her stupor humans become animals indicative of their character traits. Are her encounters real or just conjured up by a dreamer with an overactive imagination? 

"The Sixth Day" by Petra Pierre - Robertson
Greed, lust and the desire for power nurture a long standing feud between two territories: Kenan and Babal.  

Here are clues to unearth the symbolism of the animals, assembled in the shed, when Rahel is first captured.  
Refer to pages 5 - 11 of 'The Sixth Day'

Lion Leonardo.  The son and heir of the Babalite Ruler

Leonardo's trusted friends: 
Hinds:  Surefooted Hinds 
Eagle: Courageous, powerful, honorable Aquila 
Tiger: Passionate, daring, fearless Tiegra
Owl: Wise Laila 
Livingstoni Cichlid: Leonardo's father.  The predatory, devious, weak, deceitful Babalite Ruler, Livingston Cichlid
Pearl Fish: The main antagonist, Paul Fisher:  Leonardo's 'bottom-licking' half brother who wants to be sole heir at any cost 


Pearl Fish carried out his daily responsibilities cocooned in Livingstone Cichlid's anus ('The Sixth Day' p 9) 


Black Herons:  They believe they work harder than everyone else.
Topi Antelopes:  They are sly and feign vulnerablity.  They always 'cry wolf'.
Squas: They are always traveling and away from the organization. They should retire but can't seem to leave.  They are involved in everything whether present or absent.
Cuckoo Bees: Devious, traitorous usurpers, they are always up front in the choicest seats, talking to whoever will listen
Brown Trouts: Very pretentious, these facetious protagonists always wore fake smiles that never quite reached their eyes, and did not light up their hard faces.
Sabre-Toothed Blennys:  They loved to greet with hugs and kisses, but it was largely to disarm the unsuspecting victim, for the blenny to deliver an unanticipated bite/blow.
Butterflies:  These pretty, perfumed, disingenuous, flirting with everyone protagonists, thrived on being facetious to enhance their popularity/likes, which they craved.
Alligators and Crocodiles: They sat quietly, feigning disinterest, to imbibe all the happenings, which they regurgitate and gossip, when it suits their purposes.


Trailer:  'The Sixth Day' by Petra Pierre - Robertson


Upcoming symbolism for exploration:
Pleasance: p 10
Machiavelli: p 38, 39, 77
The numbers 3, 7 and 1: p22
Ultimate Sacrifice: 81 - 83
Babal/The Babalites
Kenan/The Kenanites
The Sixth Day


Tuesday, November 19, 2019

Characterization

Characters must be real!

They must reflect persons with whom your readers may interact. You may reveal their identity by describing them, by their speech, their reactions or their interactions. They must not be bland
Your characters are the means through which you evoke a response from your readers. They must reflect the setting within which they are placed by their speech, dress, actions and reactions.

😊

"A perfumed scent filled the atmosphere when she walked into the room.  Heads turned at her entrance.  Smiles broke out on the faces of the guests."  Petra Pierre - Robertson (c) 2019

What does the above line say about the Character?


"Timmy raced from the living room into his bedroom when he heard the sound of the gate.  His toys lay unattended in the middle of the room.  Heart racing he hid in the closet as the lock turned in the door.  His father had arrived earlier than he expected."  Petra Pierre - Robertson (c) 2019

What may this reaction suggest about Timmy?
What may it suggest about his father?

Read the story 'Dogs' by Petra Pierre Robertson, and say three things about the 'I' persona.

Read pages 4 and 5 in "Second Chances" by Petra Pierre - Robertson and identify three traits of the character, O'Connor.

Second Chances by Petra Pierre - Robertson